公元918年，陈家庄多名儿郎抵御外寇战死在炮弹之下，陈长青继承哥哥遗志，前往敌国忍辱负重，学习核心科研技术。村霸陈虎想夺族长之位，造谣长青叛国，村民误信对其父母多番凌辱。长青赶回家，碍于签署保密协议，不能将实情托出。祠堂里，大家誓将陈长青逐族谱，处极刑。母亲为救儿子，拔剑自刎，只愿一命抵一命。同时研制成功，保密协议解除，上级特派员送牌匾到陈家庄，长青真实身份即将公之于众，特派员却突然反水。

公元918年，陈家庄多名儿郎抵御外寇战死在炮弹之下，陈长青继承哥哥遗志，前往敌国忍辱负重，学习核心科研技术。村霸陈虎想夺族长之位，造谣长青叛国，村民误信对其父母多番凌辱。长青赶回家，碍于签署保密协议，不能将实情托出。祠堂里，大家誓将陈长青逐族谱，处极刑。母亲为救儿子，拔剑自刎，只愿一命抵一命。同时研制成功，保密协议解除，上级特派员送牌匾到陈家庄，长青真实身份即将公之于众，特派员却突然反水。

卡尔·纳格尔（欧文·威尔逊 饰）是美国一位画家，他的声音轻柔，几十年来一直在佛蒙特州的公共电视台主持自己的绘画节目。多年来，他的艺术吸引了许多妇女的注意，特别是那些在电视台工作的妇女。但卡尔的生活一成不变，节目收视率也不高。当一个新的画家被雇用来振兴这个频道时，卡尔自己对他作为一个画家的天赋的恐惧被带到了前台。

卡尔·纳格尔（欧文·威尔逊 饰）是美国一位画家，他的声音轻柔，几十年来一直在佛蒙特州的公共电视台主持自己的绘画节目。多年来，他的艺术吸引了许多妇女的注意，特别是那些在电视台工作的妇女。但卡尔的生活一成不变，节目收视率也不高。当一个新的画家被雇用来振兴这个频道时，卡尔自己对他作为一个画家的天赋的恐惧被带到了前台。

Gang of Four 　　Episode 1 of 4 　　Duration: 1 hour 　　Art writer Waldemar Januszczak explores the revolutionary achievements of the Impressionists. In the first episode, Waldemar delves into the back stories of four of the most influential Impressionists - Pissarro, Monet, Renoir and Bazille - who together laid the foundations of the artistic movement. He finds out what social and cultural influences drove them to their style of painting, how they were united and how ultimately they challenged and changed art forever. 　　Waldemar journeys from the shores of the West Indies, to the progressive city of Paris to the suburbs of South London, where these four artists drew inspiration from the cities and towns in which they lived. Whether it be the infamous spot on the river Seine - La Grenouillere - where Monet and Renoir beautifully captured animated people, iridescent light and undulating water or the minimalist, non-sensationalised illustrations of Pissarro's coarse countryside paintings, Waldemar discovers how the Impressionists broke conventions by depicting every day encounters within the unpredictable and ever changing sights around them. 　　------ 　　Painting outdoors 　　Episode 2 of 4 　　Duration: 1 hour 　　Waldemar Januszczak continues his investigation of the Impressionists by taking us outdoors to their most famous locations. Although Impressionist pictures often look sunny and relaxed, achieving this peaceful air was hard work. Trudging through fog, wind and rain, across treacherous coastal rocks and knee-deep snow, Waldemar shows how the famous spontaneity of the Impressionists is thoroughly misleading. 　　This episode visits the French riverside locations that Monet loved to paint, and where Renoir captured the bonhomie of modern life. Waldemar also introduces a number of technical and practical developments of the age which completely revolutionised Impressionist painting - the invention of portable easels; the use of hog's hair in paint brushes; as well as the introduction of the railway through France. And a scientific demonstration in a Swedish snowdrift explains just how right the Impressionists were to paint brightly coloured shadows in their winter scenes, despite being accused of 'hallucinating' at the time. 　　Finally, Januszczak explains Cezanne's part in the Impressionist story from his dark and challenging early work to his first rural landscapes in France, and then his departure from Paris and separation from the Impressionist gang. 　　------ 　　Painting the People 　　Episode 3 of 4 　　Duration: 1 hour 　　Waldemar Januszczak continues his investigation of the Impressionists, focusing this time on the people they painted and in particular the subjects of Degas, Caillebotte and the often forgotten Impressionist women artists. The Impressionists are famous for painting landscape but they were just as determined to paint people. 　　Looking closely at one of Impressionism's finest painters, Edgar Degas, Waldemar reveals how he consistently challenged traditions and strove to record real life as it appeared in the city, from sculpting the contorted movements of horses in motion at the Longchamp race course in Paris to encapsulating extravagant 3D viewpoints of the ballet dancers at the Paris Opera. 　　Waldemar also uncovers the intoxicating haziness the pastel produced in Degas' work when visiting his supplier Pastels de Roche. He also reveals the unusual viewpoints and dramatic perspectives of Caillebotte's paintings from the Place de L'Europe and the rebellious and revolutionary art of Morisot, Bracquemond and Cassatt, three impressive female artists who were eagerly embraced by the progressive movement of Impressionism 　　------ 　　Final Flourish 　　Episode 4 of 4 　　Duration: 1 hour 　　This episode takes a closer look at the late years of Impressionism, using the last show these artists did together as a starting point. 　　Waldemar looks in considerable depth at the work of Georges Seurat, taking into consideration his academic training at the Beaux-Arts School in Paris and the artists that influenced him, such as Piero della Francesca and Puvis de Chavannes. 　　There is also an insight into the complex but fascinating world of optics and art, and the ways in which the Impressionists were using the new discoveries in light and eyesight to influence their work. A fascinating 'after-image' experiment brings to life the ways in which our own eyes see colour, both in its presence and its absence. 　　Van Gogh's time in Paris, a period very little is known about, is also covered, charting the incredible journey the artist made from his brown and dull canvases to the splendid colour and light that pervaded his work on the cusp of his departure for the South of France. 　　The film finishes with a revisiting of Monet and his later waterlily paintings in the Orangerie in Paris. Waldemar investigates how a bad case of cataracts was responsible for a seismic shift in his colour palette and his brushstrokes. Spending time with an ophthalmologist, he finds out how old age and a fairly common ailment of the eyes caused Impressionism to shift and become radical again at the turn of the century and into the 20th century

影片围绕13岁的史蒂维在夏天与一群滑板少年交朋友的过程。酒精、毒品、性爱、滑板运动是他们生活中的必备元素，但与此同时，他们也在跌跌撞撞中寻找自我。

故事围绕上世纪90年代洛杉矶少年史蒂夫（苏基克饰）与他的滑板、冲浪朋友们的生活展开。沃特斯顿将饰演史蒂夫的单亲妈妈，赫奇斯饰演史蒂夫的哥哥。影片…

阿里的父亲是位建桥工人，他们一家随着父亲，来到一个小村庄暂住。阿里喜欢画画，在村子里他结识了画家爷爷，并且得到了指点。身患疾病的小姑娘只能静静地待在家里，于是他为小姑娘精心绘制五颜六色的图画，希望她能通过绘画看到大自然的美好。时间过得飞快，父亲的工作结束了，他们又要迁移了。临行前 ，阿里终于完成绘画，将它们摆在小姑娘家的门前。

《机动警察》的开山之作，故事虽然杂乱但有序。有日常生活、刑侦办案更有国家动乱事件，此类叙事方法也被日本很多动画作品所借鉴，押井守也凭借着此作品提升了在日本动画界的地位。 　　第一话:第二小队出动 　　第二话:远道而来的香贯花 　　第三话:四亿五千万年之陷阱 　　第四话:L之悲剧 　　第五话:特车二组最长的一天(上篇) 　　第六话:特车二组最长的一天(下篇) 　　第七话:特车队,北上!! 　　《机动警察》（機動警察パトレイバー）是一系列日本漫画与动画作品，原作是HEADGEAR，由5人组成的小组，包含原案／漫画的结成正美、机械设计的出渊裕、人物设计的高田明美、剧本的伊藤和典、担任导演的押井守。从1988年结城正美开始漫画连载到2009年之际，已出版的作品包括漫画、一部动画电视系列剧、两部OVA系列、三部动画电影。 　　这一系列作品的故事虽然各自不同，但是情节都共通设定在虚构的1998年到2002年间。日本东京因为温室效应造成的海平面上升而有沉没之虞，所以开始进行所谓巴比伦计划：建造大型海堤封闭东京湾，将湾内的海水抽除之后，再进行填海造陆。巴比伦计划大量引进人类驾驶的大型机器人“Labor”，至此与Labor有关的治安问题也层出不穷。这一系列作品的主要角色就是专门负责这类案件的机动警察特车二课。特车二课配备先进的警用Labor“Patlabor”（patrol labor之意），与整备班和特车一课一起驻扎在东京一处偏远的海埔新生地，第一部动画作品于1992下半年分两次播出。

这是一部在长崎海湾一艘日本捕鲸船上拍摄的长达135分钟的非主流电影，核心精神是对自我强迫的抵抗和创意之间的关系的思考，形式则是轮船甲板上一尊名为“土地”的巨型凡士林雕塑的塑造和变化过程。在船上的还有两个恰巧来到这里并举行了一场日本式传统婚礼的“客人”，由导演巴尼和女歌星比约克扮演，两人用旁白带出导演的创作主旨。随后他们出席了一次茶道仪式，主人为他们介绍了轮船的历史，这是舱外电闪雷鸣，液态的凡士林流了进来，“土地”化开了。“客人”被困在了密室之中，他们艰难的呼吸，随后拔出小刀，砍下了对方的脚和大腿。两人剩下的躯体中露出尚处于早期发育状态的鲸尾，新生和变化又开始了。